Send Final Cut Pro and Motion projects to Compressor to encode video in the HEVC format iTunes Store Package Creation.Share settings like an HEVC output setting with other editors, even if Compressor isn't installed on their systems.Create self-contained Droplets to encode on the desktop with drag-and-drop ease.Build custom Destinations to combine encoding with additional tasks such as moving or copying files.Set up batch processes to streamline the encoding of large numbers of files.Use Compressor to customize encoding settings and the setting will automatically appear in Final Cut Pro.For even faster conversions, easily set up distributed encoding using other Mac computers. A simple interface lets you quickly customize output settings, enhance images, and package your film for sale on the iTunes Store. In many cases, you can and should use encoding presets in Adobe Media Encoder, which is created for the specific purpose of setting up exports for common formats and uses.Compressor integrates tightly with Final Cut Pro to add power and flexibility to your video conversions. If you want even more control over encoding and compression options, consider using Adobe Media Encoder or another dedicated encoding and compression application to convert losslessly encoded master files or image sequences exported from After Effects into files for final delivery. See "FAQ: Why does my output file not play smoothly, and why is my output file huge?". Losslessly compressed movies often don't play smoothly in a media player, but that isn't relevant because that's not their purpose. When you create a movie for distribution, it is often highly compressed when you create a movie for an intermediate stage in a post-production workflow, it is usually losslessly compressed (or even uncompressed).Įxamples of lossless codecs include Animation and PNG at highest quality settings in a QuickTime container. To determine what the best settings are for your purposes, read this section on compression and this section on planning your work with final delivery specifications in mind. Similarly, the best codec for playback over a slow network connection is generally not the best codec for an intermediate stage in a production workflow. For example, the best codec for compressing cartoon animation is generally not efficient for compressing live-action video. No single codec or set of settings is best for all situations. Encoders and decoders are known by the common term codec. Compression is achieved by an encoder decompression is achieved by a decoder. Compression is essential for reducing the size of movies so that they can be stored, transmitted, and played back effectively.
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